闽剧“小调”中的“鲁斤燕削”外来曲调衍化探究

The Evolution of Minor Tune from the Immigrated Folk Tunes in Min Opera

从民间音乐的曲调传播来看,小调易地流传有其特定的积极意义。在江浙等地的外来曲调衍化为闽剧“小调”曲牌的过程中,其形态上有曲调框架内的微变、拼杂、贯穿衍化等发展手法。外来小调为闽剧“小调”贡献了丰富多样的民歌色彩曲牌,形成了过渡性韵律节奏风格。这使“鲁斤燕削”外来曲调流传现象在声腔融合、空间跨越、历时性呈现等音乐文化传播诸方面具有积极、开放的意义。

The ways including derivation and collage have been taken in the evolution process of the minor tune of Min opera from the tunes of Jiangzhe region. The tunes immigrated from outside Fujian province provide affluent folk tunes for Min opera and endow it with transitional rhythmic melodies, which makes the phenomenon of tune immigration significant in the spreading of musical culture.