“港味”的追溯、突围与重构——以香港电影中的“唐楼”建筑为例

The Retrospection,Breakthrough and Reconstruction of “Hong Kong Flavor”:Take the “Tang House” in Hong Kong Movies as an Example

香港电影中的“港味”,是香港社会主体性的重要表征,香港的市民文化、不同时代的香港元素、快节奏的城市动感,共同构成了香港电影“港味”美学的重要组成部分。唐楼具有传统、拥挤和嘈杂的特质,作为香港的标志性符码,常被用作感情凝聚的符号加以呈现。文章选取“唐楼(街)”作为香港这座城市的切入点,从怀旧空间、想象空间和生活空间三个维度着手,力图通过“街道”这一空间意象,发掘隐藏在香港背后的深刻含义和文化自信,探寻人与人、人与社会之间的微妙关系。

The “Hong Kong flavor” in films is an important representation of Hong Kong society. Hong Kong's Citizen spirit, time element, city rhythm, constitute the aesthetics of Hong Kong film. With its traditional, crowded and noisy character, Tang House is an iconic symbol of Hong Kong. It not only implies the hardship of survival, but also has a certain emotional color. It is often used as a symbol of emotional cohesion to present. This article selects “Tong house (street)” as the entry point of Hong Kong, starting from the three dimensions of nostalgic space, imaginary space and living space, and tries to explore the profound meaning and cultural confidence hidden behind Hong Kong, and explore the subtle relationship between people and society.