摘要
动画电影编剧对传统神话故事的创新性改编是行业难题。动画电影《哪吒:魔童降世》颠覆性地对原著角色进行了大胆编创,结合镜像理论对原著中相对脸谱化的角色进行重塑,挖掘出了更广阔的剧情创作空间。二元角色配置为主角的自我镜像演化构建了框架,角色设计价值取向的创新定位,赋予了作品更鲜明的时代意义。相比于传统动画电影,该片在角色设计和叙事策略方面为国产动画电影的创新性改编提供了可借鉴的研究样本。
The creative adaptation of traditional mythological stories by animated film writers is a difficult problem in the industry. The animated film Nezha subversively created the original characters boldly, combined with the mirror theory to remodel the relatively fixed facial patterns of characters in the original, and excavated a broader space for plot creation. The self-mirror evolution of dualistic role allocation as the protagonist constructs a framework, and the innovative orientation of the value orientation of role design endows the work with more distinct epochal significance. Compared with the traditional animated films, the role design and narrative strategies of domestic animated films provide a reference for the innovative adaptation of research samples.
作者
巫滨
WU Bin(Department of Art & Design, Henan University of Science&Technology, Luoyang 471023, China)
出处
《河南科技大学学报（社会科学版）》
2019年第5期54-57,共4页
Journal of Henan University of Science & Technology(Social science)
关键词
动画角色设计
剧本改编
镜像理论
animated character design
script adaptation
mirror theory
