摘要
受明代小说《水浒传》的影响,朴趾源在《热河日记》中描绘了不少“打斗场景”,因此,《热河日记》虽不是一部小说,但它却明显呈现出场景化的小说叙事特征。面对朝鲜朝社会出现民族自我意识膨胀的现实,朴趾源站在“利用厚生”的思想高度,以使团随行“下人”的日常生活为突破口,对当时“朝鲜中华主义”风行下的人情世态进行了戏剧性的刻画,具有一定的讽刺意味,体现出他对朝鲜朝社会排清意识的反思。
Due to the influence of Outlaws of the Marsh,Park Ji-won portrayed plenty of“fighting scenes”in his work Journal in Jehol.Thus,though Journal in Jehol is not a novel,it contains obvious narrative feature of contextualization,a narrative strategy usually used in novel.Facing the expansion of national self-consciousness in Chosen society,Park Ji-won,following the concept of“making proper use of resources and enriching the lives of the people”,focused on the everyday life of envoy servants to satirize the ways of people and the world under the circumstance of“Korean Middle-Kingdom Mentality”.These ironic depictions show his reflection on Chosen society’s Anti-Qing Dynasty consciousness.
作者
韩东
Han Dong(Nanchang University,Nanchang,330000)
出处
《东疆学刊》
CSSCI
2019年第4期12-17,111,共7页
Dongjiang Journal
基金
教育部人文社会科学研究青年项目《明清文学流派对朝鲜文坛的影响研究》的阶段性成果,项目编号:19YJC751007
关键词
朴趾源
《热河日记》
《水浒传》
打斗场景
华夷观
Park Ji-won
Journal in Jehol
Outlaws of the Marsh
fighting scene
concept of China and foreign countries.