论南宋禅师北■居简古琴诗中之琴禅互融

Combination of Guqin and Chan in the Guqin Poems of Chan Master Beijian Jujian in Southern Song Dynasty

琴禅互融是宋代古琴、禅学领域的一个突出特质,南宋禅师北[石门]居简是体现这一文化现象的典型。居简借助"诗"这一艺术形式,以"琴"为题材,借琴说禅、以琴修禅。其一,琴诗明禅理。他在琴诗中谈禅论理,认为琴声乃禅理之表现,二者不一不异。其二,琴心与禅心。其清闲琴心乃无执禅心之体现,可曰"琴心三昧",习琴乃其习禅方法之一。顿悟禅心与妙悟琴心皆需灵感忽来,二者亦相通。其三,琴诗示禅境。居简琴诗表达了现量禅境,琴音亦禅境之体现。禅境也正是古琴艺术所追求的至高理想境界。

The combination of Guqin and Chan is a prominent characteristic in the field of Guqin and Chan in Song Dynasty. The Chan master Beijian Jujian in Southern Song Dynasty is a typical example of this cultural phenomenon.He is a perfect monk poet and guqin performer in Southern Sung dynasty. First,he thought that guqin represents dao .Since dao (unconditioned dharmas) is placeless, there ’s a harmony between guqin ideology and Chan ideology. Secondly he considered that exercising guqin is a way to practice Chan. The guqin, through its capacity for restraining human passions, was a suitable instrument for triggering an enlightenment experience.Furthermore,When borne on the unworldly and serene tones of the guqin, the mind of the player is purified and elevated to mystic heights, his soul may commune with the essence of the entire world, and so he may experience a complete reunion with dao .