文本、语境及人:浙南鼓词研究的地方话语——评刘秀峰《瓯江鼓词:流逝中的乡音》

Context and Inheritors: Local Discourse in the Study of Guci in Southern Zhejiang——Comment on Liu Xiufeng’s Oujiang Guci:a Passing Local Voice

鼓词是浙南地区的一种曲艺形式,虽有不同的内部分类,但均属区域民众的生活艺术。作为国家级非遗项目,鼓词研究需同保护相协调。不论是文本研究还是语境研究,都离不开对“人”的观照,而这其中所蕴含的地方性知识则是全面理解鼓词艺术的核心因素。就目前所见,鼓词研究多见于单篇论文,而刘秀峰教授所著《瓯江鼓词:流逝中的乡音》则从口述史角度,对鼓词的历史、传承人群、信仰生活(语境)以及文本等诸多方面做出探索,是站在鼓词研究最前沿的一部新著。

Guci is a kind of Quyi form in southern Zhejiang. Although the internal classifications of Guci are different, they belong to the art of life of the local people.As a national representative project of intangible cultural heritage, the study of Guci needs coordination with safeguarding.The study of “inheritors” is indispensable to both textual and contextual studies. And the local knowledge contained in it is the core factor to comprehensively understand the Guci art. Currently, Guci is often studied in single papers, but Oujiang Guci: a Passing Local Voice by Pro.Liu Xiufeng explores the history, inheritors, belief life (context) and text of Guci.The monograph is a new work standing at the forefront of Guci.