论《塞维勒的理发师》和《费加罗的婚礼》中人物形象发展

On the Development of Character Image in The Barber of Seville and The Wedding of Figaro

《塞维勒的理发师》和《费加罗的婚礼》都是18世纪后期法国启蒙剧作家博马舍的代表作,叙述的情节也是连续的,描写的主要人物也基本相同。但由于这两部喜剧是博马舍在不同时期创作完成的,因而对封建贵族批判的力度是不同的,即便是相同的人物在形象上也或多或少发生了一些变化。本文着重分析费加罗、伯爵及罗丝娜这三位贯穿了两部喜剧的主要人物在剧中的发展变化。

The Barber of Seville and The Wedding of Figaro are all masterpieces of Beaumarchais, a French Enlightenment playwright in the late 18th century, and both of them are narrated continuously, with the main characters described basically the same. However, because these two comedies are created at different times, their criticisms for the feudal aristocracy are at different degree. Even the same characters have undergone some changes in their image. This article focuses on analyzing the development and changes of the three main characters in the two comedies: Figaro, Earl, and Luosinuo.