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二十世纪上半叶岭南画派山水画赋彩述论

On the Color of Lingnan Painting School Landscape Painting in the First Half of the 20th Century
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摘要 文章主要以岭南画派为代表,梳理中国山水画在二十世纪上半叶的色彩变化与表现技法革新。西方绘画中强烈的色彩表达与运用以及多种绘画技法,直接反射在创作者的审美意识和主观地表现在画面当中,这种形式的创作手法对于二十世纪初期中国山水画的发展有巨大影响。岭南画派将西方绘画的色彩表现技法以及情感融入于传统山水的赋色中,并以独特的艺术形式表现出中国山水画的风格与审美创造。 This article takes Lingnanvorticism as the representative and combs the color variation and the performance technique innovation of Chinese landscape painting in the first half of the twentieth century. The intense color expression and application and multiple painting techniques in Western painting directly reflect the aesthetic consciousness and express in the picture subjectively. This type of techniques of creation has a great influence on the growth of Chinese landscape painting in the early twentieth century. Lingnanvoricism integrates western color expression techniques and own emotions into the coloring of traditional landscape painting, and expresses the style and aesthetic creation of Chinese landscape painting in its unique artistic form.
作者 张清 赵亚军 Zhang Qing;Zhao Yajun(School of Art,Shandong Jianzhu University,Jinan 250101,China)
出处 《齐鲁师范学院学报》 2019年第5期150-156,共7页 Journal of Qilu Normal University
关键词 中国山水画 岭南画派 设色赋彩 革新 Chinese landscape painting Lingnan Painting School Color assignment Innovation
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