从沉重到轻逸——论莫言作品中苦难叙事的变化

From Heaviness to Lightness——The Changes of Suffering Narration in Moyan’s Literary Creation

以获得诺贝尔文学奖为节点,莫言前期与后期的创作在苦难叙事方面呈现出不同的风格。在前期创作中,苦难是莫言小说的叙事动力,莫言常常深入小说人物内心深处,以富有现代性的表现方法进行细致的描绘与渲染,以突显苦难的强度以及人物形象内在的生命张力,从而使其作品拥有了极强的表现力和感染力。获诺奖之后的新作中,莫言有意淡化了苦难意识,在叙事中多采用传统文学的方式,作品的整体格调也由此变得轻逸平和。

As the turning of awarding Nobel Prize in Literature,Moyan’s literary creation presents different style between front-back periods. In early stage of writing,suffering was the narrative power,he described and rendered meticulously in modern methods to the depths of character’s minds. So the strength of suffering and life tension of character could be highlighted,and these creations were very expressive and infectious. In new work after awarding Nobel Prize,Moyan downplayed the sense of suffering on purpose,he used the traditional narrative methods frequently,his literary style became light and mild.