身份认同与冷战语境视角下的马森剧作论

The Analysis of Ma Sen’s Plays from the Perspective of Identity and the Context of the Cold War

渗透在马森荒诞剧作中的孤绝感和荒谬感折射并反映了其当时身处于冷战背景下的时代历史以及思维特征。首先,远离大陆和台湾的创作视角使马森能够抽离出个人自我情感,从整体人类的视角去呈现和分析中国人独特的存在困境与挣扎,而海外漂泊移居的经历使其身份认同呈现出断裂和残缺的特征;其次,20世纪60-70年代美苏冷战的历史背景,让马森体验到了时代的荒诞本质以及人性与文明退化循环式发展的悖谬,进而以荒诞剧的形式对其身处的时代与人的存在境遇进行了寓言性、抽象化的提炼与表达。

The sense of isolation and absurdity permeated in Ma Sen’s absurd plays reflects the characteristics of history and thoughts in the context of the cold war. Firstly,Ma Sen presents and analyzes the unique predicament and struggle of Chinese people from the perspective of the whole human race.because his experiences of wandering and emigrating overseas made his identity being fracture and incomplete;secondly,the cold war between the United States and the Soviet Union in the 1960s and 1970s enables Ma Sen to experience the absurd nature of the times and the paradox of the degraded development of human nature and civilization. Then,in the form of the Absurdist theatre,he abstracts and expresses his time and the situation of human existence in an allegorical and abstract way.