摘要
在当下新媒体语境下,诗歌批评的“标签化”已成为一种典型趋向,各种标签此起彼伏,但大都是强制阐释,是不同批评家、派别之间的话语权争夺策略,属于一种“空心化”的批评模式,值得警惕与纠偏。批评家需要拨开各种标签而回到诗歌文本,以自己之心会作者之心,构建一种“以心会心”式的诗歌批评,方能深入感悟诗歌文本的精神、思想与审美价值,真正发掘诗歌作品之魅力。
In the current context of new media,the labelling of poetry criticism has become a typical trend. Various labels have emerged one after another,but most of them are compulsory interpretation,different critics and factions contending for discourse power. It belongs to a hollow ” criticism mode,calling for vigilance and correction. Critics should put aside all kinds of labels and return to the poetry text,try to understand the author s heart with their own heart and construct a heart-to-heart” type of poetry criticism,thus deeply understanding the spiritual, ideological and aesthetic value of the poetry text and truly exploring the charm of poetry works.
作者
罗小凤
LUO Xiaofeng(College of Liberal Arts,Yangzhou University,Yangzhou,Jiangsu 225002)
出处
《扬州大学学报(人文社会科学版)》
2019年第5期102-109,共8页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
2019年度国家社会科学基金项目“新世纪诗歌对古典传统的再发现研究”(19BZW122)
2018年度江苏省社会科学基金课题“新媒体语境下新诗传播转型研究”(18ZWB002)
第64批博士后基金面上资助项目(2018M642329)
2018年度江苏省“双创人才”项目
江苏省第五期“333工程”第三层次人才项目
关键词
新媒体
诗歌批评
标签化
空心化
new media
poetry criticism
labelling
hollowing out