科技之害与“诗意地栖居”——论海德格尔“天地人神”对神性的召唤

The Harm of Science and Technology and “Inhabit Poetically”: On Heidegger’s Calling to Divine Nature in “Heaven, Earth, Man and God”

海德格尔“诗意地栖居”的美学思想以对神性的探索为凝聚点,其存在论所蕴含的神性是此在的“人”生存的法则依据。但是,现代科学和技术对神性的驱逐,以及人对自身定位的模糊和对神性的遗忘,合力使神性隐而不彰。因此,他欲重构“天地人神”四方一体世界体系,以其所蕴生的“命运”神性,召唤一种更高意义上衡量“人与他者”关系的神性尺度。“诗意地栖居”便是他解救“人”的危难处境所寻求的道路,这样的道路是通过艺术(本质是诗歌)来聆听命运的神性之声而实现的。但海德格尔思想中的乌托邦色彩与宗教神秘性合力造成的局限性,使他只是给出了一个预言性、模糊性的命运神性召唤。

Heidegger’s aesthetic thought of“inhabit poetically”focused on the exploration of divinity,which was contained in his existential theory.The divinity was the legal basis of the existence of“Man”.However,the expelling of divinity by modern science and technology,as well as Man was fuzzy to locate themselves position and forgot the divinity,all of them made the divinity invisible.Therefore,he wanted to reconstruct the quadripartite world system of“Heaven,Earth,Man and God”,which called for a higher sense of the yardstick with the divinity to measure the relationship between people and other things with its divinity of“Ereignis”.He rescued the dangerous situation of“Man”by inhabiting poetically,which was realized by listening to the voice of the divinity of“Ereignis”from art(its essence is poetry).Due to the limitation caused by the combination of utopian color and religious mysticism in Heidegger’s thought,however,he only proposed a prophetic,vague call to the divinity of“Ereignis”.