余华小说的古典因素与先锋意识——以《鲜血梅花》《古典爱情》为例

Classical Factors and Pioneer Consciousness in Yu Hua’s Novels: Take Blood Plum Blossom and Classical Love as an Example

作为中国当代文坛上颇负盛名的先锋文学作家,余华前期的代表作《鲜血梅花》与《古典爱情》既有中国古典文学的外在形式,与传统文学保持血缘关系,又赋予其反思人性与人文关怀的先锋意识,实现了古典因素与先锋意识的同构。试从古典文类的戏仿与颠覆、重复叙事的音乐性和古典形式下的先锋意识与现实观照三方面探析两篇小说中共存的古典形式与先锋内质的艺术,以期探寻余华前期小说典型的先锋色彩与深厚的人性关怀。

As a famous pioneer literary writer of Chinese contemporary literature,Yu Hua’s early masterpiece Blood Plum Blossom and Classical Love not only have the external form of Chinese classical literature and maintain blood relationship with traditional literature,but also endow them with the vanguard consciousness of reflecting on human nature and humanistic concern,so as to realize the isomorphism between classical factors and vanguard consciousness.From the aspects of parody and subversion of classical literature,musicality of repeated narration,vanguard consciousness and realistic care under classical form,this paper tries to explore the coexistence art of classical forms and avant-garde endoplasm in the two novels,so that to explore typical vanguard color and deep concern for human nature of Yu Hua’s earlier novels.