摘要
2017年1月开始,借助微信群、微信朋友圈以及有排版、编辑功能的公众平台格图来实现作品再次创作是陈琳艺术生活的一种常态。凭借这些载体与方式,陈琳实现了其与东盟各国华人艺术家的诗画互动。看似一次意外的收获,实则是中国传统艺术精神的一次回归,是海内外同仁共创华语文学艺术的一次携手合作。
The perfect combination of poetry and painting in the Poetry/Painting Dialogue reminds Chen Lin that painting can be finished in various forms besides personal creation and can appear with various forms in front of the public. The combination of poetry and painting,and the participation of people may be ways worth being tried. Since January 2017,with the help of WeChat group, WeChat moments, and the public platform Getu which enjoys the function of editing and typesetting, Chen Lin has been recreating works in her artistic life. With these carriers and ways, Chen Lin has realized her interaction with artists from ASEAN countries. The seemingly unexpected harvest is in fact a return to the spirit of traditional Chinese art and a joint effort by colleagues at home and abroad to create Chinese literature and art.
作者
陆衡
LU Heng(Beibu Gulf University, Qinzhou 535011, China)
出处
《北部湾大学学报》
2019年第8期55-59,共5页
Journal of BeiBu Gulf University
基金
广西哲学社会科学规划研究课题:中国—东盟华文文学互动研究(2015BZW008)
关键词
陈琳诗画
诗画互动
微信
格图
Chen Lin's Poems and Paintings
ASEAN
WeChat
Getu