“建立世界”与“制造大地”——海德格尔的艺术本源思想新释

A New Explanation of Heidegger’s Thought of Origin of Art

《艺术作品的本源》一文中,海德格尔认为艺术的本质是“存在者的真理自行设置入作品”。探究观点背后的思想根源,会发现海德格尔之意乃是托借艺术之名,叙述其存在论思想。对《艺术作品的本源》一文的讨论,自其发表之日起就从未断绝,或针对文中作品考证,或针对文中观点可能隐含思想进行推断。“百家争鸣”当然好,但是不要忘记,此《艺术作品的本源》一文的目的不在于得出一个“完美无瑕”的结论,而在于通过艺术之思帮助人类解除主客二元对立的思维枷锁,最终栖居于存在本源的近旁,叩问人生真相。

In the Origin of the Work of Art, Heidegger believed that the essence of art is the setting-into-work of truth. Exploring the ideological roots behind the ideas revealed by Heidegger's intention is to describe his ontological ideas in the name of art. There have been many comments on the article in the academic field, either on the research of the text related to the work or on the implied thought inference of the point of view in the text. However, we should not forget the starting point of Heidegger's thought of existence, that is “poetic residence in this land”.