概念隐喻理论视角下的宋词通感隐喻研究——以《宋词三百首》为例

Study of Synaesthetic Metaphor in Lyrics of the Song Dynasty from the Perspective of Conceptual Metaphor Theory

从认知视角看,通感是一种认知模式,是人们认识世界的手段和工具。通感是一种特殊的隐喻,宋词中的通感用法极为广泛。试以《宋词三百首》为研究文本,在概念隐喻理论指导下,通过定量定性研究方法,对宋词通感中不同感觉之间的映射关系进行了分析,概括了宋词通感隐喻的映射模型。同时研究结果表明:宋词通感中感觉迁移的总体趋势遵循从较低级、简单感官向较高级、复杂感官迁移的规律;宋词通感与英语存在不同的地方,其始源域与目标域之间的投射关系既有单向的,也有双向的。

From a cognitive perspective,synaesthesia is a cognitive model and a tool for people to understand the world. Synaesthesia is a special metaphor and it is widely used in lyrics of the Song dynasty. This thesis takes Three Hundred Lyrics of the Song Dynasty as the research text. Under the guidance of conceptual metaphor theory,the mapping relationship between different senses in synaesthesia of lyrics of the Song dynasty is analyzed quantitatively and qualitatively,and the mapping model of synaesthesia metaphor of lyrics of the Song dynasty is summarized. The results show that the general trend of sensory transfer in synaesthesia of lyrics of the Song dynasty follows the rule of transferring from the lower level to the higher level. There are differences between synaesthesia of lyrics of the Song dynasty and English poems,and the projective relationship between the source and target domains in lyrics of the Song dynasty is both one-way and two-way.