摘要
民国时期词学批评中的吴文英论,主要体现在三个维面:一是周、吴比较论,二是用字下语论,三是创作得失论.在第一个维面,普遍对吴文英以周邦彦为师而自成一家予以称扬.在第二个维面,围绕其用字密丽、炼意深致、匠心独运进一步展开评说.在第三个维面,词论家们对其创作得失进行了多样的分析评说.民国时期的词学批评,进一步将对吴文英的认识观照不断推向历史的高度.
The criticism on Wu Wen-ying' s Ci - poetry in the period of the Republic of China, is mainly embodied in three aspects : one is the comparative theory of Zhou and Wu, the other is using word theory, and the third is the theory of gains and los-ses in creation. In the first aspect, Wu Wen-ying is generally praised for develop his own style with Zhou Bang-yan as a teacher. In the second aspect, further comment on its beautiful using of words, profound refinement and ingenuity. In the third aspect, the Ci-poetry theorists have made various comments on his creation gains and losses. Ci-poetry criticism in the period of the Repub-lic of China pushed Wu Wen-ying's understanding to a higher historical level.
出处
《北方论丛》
2019年第5期77-85,共9页
The Northern Forum
基金
国家社会科学基金项目“民国时期重要词学理论批评承纳、建构与展开研究”(16BZW001)
关键词
民国词学
吴文英论
周吴比较
用字下语
创作得失
Ci-poetry criticism in the period of the Republic of China
the criticism on Wu Wen-ying's Ci - poetry
the comparative theory of Zhou and Wu
using of words
gains and losses in creation
