摘要
英国伯明翰学派是当代文化研究领域的重要力量,其文化观经历了三个显著的发展阶段:早期学派意在从文化维度反对阶级消亡论,视文化为主体意识的直接表达;中期借由结构主义马克思主义等理论,强调文化建构于主体意识和社会结构的矛盾冲突之上;20世纪80年代后在后现代主义等思潮影响下,指认文化是主体借助商品消费抵抗意识形态的具体展现。考察伯明翰学派文化观的逻辑进程及其理论价值和缺陷,可为我们研究马克思主义文化理论提供重要的参考资源。
The Birmingham school's cultural theories have undergone three main stages. The early Birmingham school saw culture as the expression and manifestation of subjective consciousness, and intended to confirm the contemporary existence of the working-class from the cultural perspective. Structural Marxism led the school to regard culture as a product of the conflict between subjective consciousness and ideology. In the 1980s, under the impact of postmodernism, it interpreted culture as a demonstration of consumerism against ideology. The changing theories of culture of the Birmingham school provide a representative case for the studies on Marxist cultural theories.
出处
《文化艺术研究》
CSSCI
2019年第3期8-15,共8页
Studies in Culture and Art
基金
华侨大学高层次人才科研启动项目“英国文化马克思主义的工人阶级文化理论研究”（项目编号：17SKBS216）和华侨大学华文学院院级课题“‘一带一路’背景下东南亚来华留学生心理健康状况及其干预机制研究”（项目编号：HW201607）的阶段性成果
关键词
伯明翰学派
文化观
意识
意识形态
the Birmingham school
cultural theories
consciousness
ideology
