摘要
“适”是《吕氏春秋》中所蕴含的一个推陈出新的美学概念,它的存在不仅丰富了中国传统美学思想中“中和之美”的内涵,更是由此激发了审美活动中对于生命本体的重视。《吕氏春秋》中的“适”具有三个层面的内涵意义,首先是体现于音乐美学中的“音适”与“心适”的和谐统一;其次是融合于“重生”思想之中表现对生命本体自然本真的追求;再者是熔铸理性的自然人性美上升为家国一体的人文情怀。由此不断探索和挖掘出“适”这一美学思想背后所蕴含的丰富独特的生命美学意义。
" Adaptation " is a new aesthetic concept embodied in " Lu's Spring and Autumn Period ". Its existence not only enriches the connotation of "the beauty of neutralization" in traditional Chinese aesthetic thoughts. It also inspires the attention to life ontology in aesthetic activities. The " adaptation " in Lu's Spring and Autumn Period has three levels of connotation meaning. The first is the harmony and unification of "sound adaptation" and "heart adaptation" embodied in music aesthetics. Secondly, it is integrated into the "rebirth" thought to show that the natural nature of life really pursues;Secondly, the beauty of natural human nature is melted into the human feelings of the whole country. Therefore, the author constantly explores and excavates the rich and unique aesthetic meaning of life contained in the aesthetic thought of " adaptation ".
作者
丁晨琦
DING Chenqi(College of Arts,Hunan Normal University,Changsha,Hunan 410000)
出处
《绵阳师范学院学报》
2019年第10期42-46,共5页
Journal of Mianyang Teachers' College
关键词
《吕氏春秋》
“适”
生命美学
意义
Lu's Spring and Autumn Period
“adaptation”
life aesthetics
significance