摘要
中国园林确立于魏晋南北朝时期,中国园林范式还处于初级阶段,魏晋南北朝画论中山水画也逐渐形成独特的绘画风格,并推动山水画论发展以至影响园林范式研究。诗画园一体论,选取画家顾恺之与谢赫的画论观点分析寻找与园林营造关于山石的内在关联,将自然的诗情画意的审美意境运用到中国园林范式。
Under the social background at that time,Chinese gardens were established during the period of the Wei,Jin,and Southern and Northern Dynasties.The paradigm of Chinese garden construction was still in its initial stage. The painting theory of landscape Painting in Wei,Jin,and Southern Dynasties gradually formed a unique painting style, and promoted the development of mountain and stone painting theory and even influenced the garden paradigm. Research,Poetry and book garden integration theory.Based on the representative point of view of painting theory,this paper analyzes and looks for the internal connection between the factors of architecture,mountains and rocks,water bodies and plants,and applies the aesthetic conception of poetic painting to the Chinese garden in the construction paradigm.
作者
孙伯航
佟雪霏
SUN Bo-hang;TONG Xue-fei(Tangshan University,Tangshan,Hebei 063000,China;School of Architecture,Tianjin University,Tianjin 300072,China)
出处
《教育教学论坛》
2019年第42期87-88,共2页
Education And Teaching Forum
关键词
谢赫
顾恺之
园林范式
Xie He
Gu Kaizhi
garden paradigm