摘要
木刻版画在中国有着悠久的历史,早在唐代就已有成熟艺术品问世。自民国始,中国古代木刻版画文献渐为收藏者所关注,陈大镫、吴梅、马隅卿、王孝慈、郑振铎、傅惜华等一批藏书家筚路蓝缕,以启山林,在收藏、整理及出版道路上取得不俗成绩。中华人民共和国成立后,尤其是改革开放以来,学术界及出版界日益重视中国古代木刻版画文献的整理与出版工作,相关出版物大量涌现,为中国美术史、艺术史、文学史等相关学科提供了丰富的资料,本文对此简述之。
Woodcut enjoyed a long history in China,and mature art has been available since the Tang Dynasty. the ancient Chinese Woodcuts started to attract the collectors’ attention since the Republic of China. Some collectors have achieved a lot in collecting, sorting out and publishing the ancient Chinese Woodcuts with great efforts,with Chen Dadeng, Wu Mei, Ma Yuqing, Wang Xiaoci, Zheng Zhenduo, Fu Xihua as represents. The academic and publishing circles have paid more and more attention to the collection and publication of the ancient Chinese woodcuts since the founding of PRC , and especially after the Reform and Opening Up, therefore relevant publications emergince, providing a wealth of information for the study of the history of Chinese art and literature. This article would summarize the length of history.
作者
向敏
Xiang Min(Shandong Institute of Business and Technology,Yantai,264005)
出处
《出版科学》
CSSCI
北大核心
2019年第5期119-123,共5页
Publishing Journal
基金
2017年教育部人文社科基金青年项目“木刻版画在近代中国的生产与传播研究”(17YJCZH194)研究成果之一