何以“先驱”——欧仁·布丹写生作品中的彩色阴影与独立笔触

Why Pioneer:A Research into the Colored Shadow and Free Brushwork in Eugene Boudin’s Paintings

19世纪法国风景画家欧仁·布丹一生致力于外景写生,他从学习巴比松脚派人手,坚持现实主义创作观,努力开拓新的创作方式、笔触语言及色彩表现。布丹在追寻自然的过程中找到了独特的绘画题材并坚持在户外完成作品,从而形成了鲜明的艺术风格。他之所以被认为是印象派先驱,原因即在于他绘画中的彩色阴影和明确形状的笔触,最早出现于印象派之中。其色彩和笔触的独立审美倾向间接启发了两方现代主义艺术对形式语言本身的研究,为一些现代主义流派的出现埋下了伏笔。

Eugene Boudin,the French landscape painter of the 19th Century,devoted himself all his life to painting directly from nature.From the standpoint of a supporter of Realism,Boudin learnt from the school of Barbizon and made great efforts to discover new methods of creation,pictorial language and expression of colors.While pursuing the nature,Boudin found unique subjects and insisted on accomplishing his works outdoors,thus forming his distinctive artistic style.The reason why he is considered as a pioneer of Impressionism is that the early impressionists inherited the colored shadow and the clear profile outlined by brush from Boudins paintings.His outstanding aesthetic gusto for color and brushwork also inspired indirectly the Modernist reflections on the formal language itself and foreshadowed the birth of some Modernist schools.