摘要
晚明是一个政治腐朽但经济又格外繁荣的特殊时期,在这一时期,文人的政治职能飞速下降,“弃巾之风”盛行,于是相反的文化职能飞速上升,文人士大夫们将仕途不顺的愤懑抒发于艺术创作之上。摆脱了工匠艺术单纯的功能性而重在展现文人的审美趣味。本文以瓶花艺术为中心,从三才之天地人的自然情怀与社会生活的结合和文人素养的体现,阐述瓶花艺术与晚明文人意趣的结合与形式上的体现。
The late Ming dynasty was a special period of political decadence but economic prosperity.In this period,the political functions of literati declined rapidly and the ethos of abandoning the scholar qualification prevailed.On the contrary,their cultural functions rose rapidly,and literati expressed their anger from failed political career to the artistic creation.Getting rid of the pure functionality of craftsman art,they focused on displaying the aesthetic taste of literati.This paper,taking the flower arrangement art as the center,elaborates the combination of flower arrangement art and literati interest in the late Ming dynasty from the combination of the Dao of Three Powers and social life as well as the expression of humanistic quality.
作者
张思琪
梁晶
Zhang Siqi;Liang Jing
出处
《家具与室内装饰》
2019年第9期15-16,共2页
Furniture & Interior Design
基金
2018年江苏高校哲学社会科学研究项目(2018SJA0106)
2019江苏高校青蓝工程非物质文化遗产艺术实践与创新优秀团队项目
关键词
晚明
文人意趣
三才之道
瓶花
The late Ming Dynasty
Literati interest
The Dao of Three Powers
Flower arrangement