关于中国电影史研究主体性争论的再思考

On the Subjectivity Debate in the Study of Chinese Film History

文章在对近年来中外学者有关中国电影史研究的争论进行梳理的基础上,追溯了中国学者所提出的主体性思想的源头及发展,分析了跨国电影史和民族国家电影史两大研究框架所蕴含的解构与建构的思路,并对如何建构中国电影史研究的主体性进行了思考。

Based on a review of the debates between Chinese and foreign scholars in the history of Chinese film in recent years, this essay traces the origins and developments of subjective ideology proposed by Chinese scholars. It analyzes the mentality of deconstruction and construction in the research frameworks of transnational film history and national film history and reflects how to construct the subjectivity in the study of Chinese film history.