摘要
虽然《武训传》《关连长》为迎合新意识形态做出了各种努力,《早春二月》《林家铺子》真实地、历史地反映了当时的社会面貌,《逆风千里》《兵临城下》取材于真实的历史故事并经由多层领导审查通过,但是在“十七年”时期都被全国批判。历次电影批判都要求创作者的创作思想和历史叙事方法发生全新的变化,以适应电影为人民服务的宗旨,集中体现人民最关心的主题:人民为争取解放而斗争的主题,以及在革命烈火中广泛地改造人的主题。
The Life of Wu Xun and Captain Guan made various efforts to cater to the new ideology, February and The Lin Family’s Shop truly reflected the social reality at that time, and Going against the Wind and Enemy at the Gates were taken from historical stories and passed multi-levels of censorship. Yet none of these films escaped the doom of being criticized nationwide during the “Seventeen Years” Period. All film criticisms required new changes in the creative ideas and narrative methods to adjust for the service of people and to reflect people's most concerned issues, such as, people’s struggle for liberation and the remaking of people in the revolutionary movement.
作者
储双月
CHU Shuangyue(Institute of Film and Television Arts, Chinese National Academy of Arts, Beijing 100029)
出处
《贵州大学学报(艺术版)》
2019年第5期33-39,共7页
Journal of Guizhou University Art Edition
关键词
历史描述
历史阐释
历史人物评价
反历史主义
历史生活
historical narrative
historical interpretation
evaluation of historical figure
anti-historicism
historical life Captain Guan