何良俊曲论的思路及其价值

A Tentative Analysis of the Thoughts and Values of He Liangjun’s Theory on Qu

何良俊是明中叶一位特立独行的学者,他的曲论虽文字不多,但内容丰富,思路清晰。关于声音、政通与曲律三者间的关系,他有着宏观的视野:从“元曲四家”的辨析到深入思考《西厢记》,并以此为思维框架最终突显了郑光祖;何良俊在那个时代率先深入区分了《琵琶记》《拜月亭》,其结果在于深入探寻了本色,从而呼应了他本人以标举郑光祖为平台,所探寻的多层面性情本色的本真。

He liangjun was a special scholar in the middle of Ming Dynasty. Although his texts on Qu were not many, but had rich content and clear ideas. Among them, he had a macroscopic view on the voice, political communication and music. From considering “Four Figures of Yuan Qu”to thinking deeply about “The West Chamber”“( Xi Xiang Ji”), He liangjun finally highlighted Zheng Guangzu with the thinking frame. He took the lead in distinguishing the“Pi Pa Ji”and“Bai Yue Ting”in that era. The result is to explore the true nature in depth, thus echoing the true nature of Zheng Guangzu’s multi-faceted temperament.