钟嵘《诗品》感物理论探析

An Analysis of the Ganwu Theory of Zhong Rong’s Shi Pin

自陆机、刘勰以后,钟嵘《诗品序》丰富了“物”的内涵,感物对象由自然景物扩大到社会人事,与之对应的感物类型亦有由景生情和托物寓情两种。钟嵘笔下实现感物的方式有“干之以风力”和“兴比赋”,这两种方式的相同点在于都强调诗歌吟咏情性的抒情作用。钟嵘感物理论的终极追求是以五言诗为载体表现诗歌“自然英旨”的艺术魅力。

Following Lu Ji and Liu Xie, Zhong Rong’s Preface to the Shi Pin enriched the connotation of “things”. The object of it has been expanded from natural scenes to social issues and people, and there are two types including being moved by things and expressing emotions through things, in the way of “Gan Zhi Yi Feng Li”(writing with strong emotions)and “Xing Bi Fu”, both of which emphasize the lyric effect of poetry. The ultimate pursuit of his theory is to express the artistic charm of the nature in poetry with five-character poetry as the carrier.