摘要
以北京白云观的建筑装饰作为研究对象,通过田野调查与文献参考的方法,从雕刻、色彩、艺术装饰三方面探讨道教建筑装饰艺术的表现方式及其装饰内容所蕴含的审美特征与文化意蕴。其建筑审美崇尚"返璞归真"、装饰内容表达了"延年益寿,羽化登仙"的道教宗旨。
Taking the architectural decoration of Baiyunguan in Beijing as the research object,through field investigation and literature reference,this paper explores the manifestation of Taoist architectural decoration art from three aspects,sculpture,color and artistic decoration,and the aesthetic characteristics and cultural implications contained in its decorative contents. Its architectural aesthetics advocates"returning to the pulp and returning to the true"and its decorative content expresses the Taoist tenet of"prolonging life and feathering immortality".
作者
种璟媛
Zhong Jingyuan(North China University of Technology,Beijing 100144,China)
出处
《山西建筑》
2019年第19期147-149,共3页
Shanxi Architecture
关键词
白云观
装饰艺术
雕刻装饰
色彩装饰
Baiyunguan
decoration art
carving decoration
color decoration