神话的复归——《能干的法贝尔》中的多重原型分析

The Reture of Myth——An Analysis of Multiple Archetypes in Homo Faber

神话是文学的源头之一,神话发展到文学,在经历了变革与繁荣之后,到了20世纪中叶,文学又颠覆、解构传统,呈现出回归神话的趋向。本文以原型批评理论为基础对瑞士德语文学家马克斯·弗里施(Max Frisch)的长篇小说《能干的法贝尔》(Homo Faber)中的多重原型进行分析,以期从中窥探这部德语作品在更广阔的宏观文学体系中的原型联系。

Myth is one of the sources of literature. After the development of myth into literature, literature subverts and deconstructs traditions in the middle of the 20th century, showing the trend of returning to mythology. Based on the theory of archetypal criticism, this paper analyzes the multiple archetypes in the novel Homo Faber by the Swiss german-language writer Max Frisch, in order to explore the archetypal connection of this German work in the macroscopital literary system.