风流：朝鲜古代文人对中国传统诗学的创造性阐释

Fengliu:The Creative Interpretation of Ancient Korean Scholars on Traditional Chinese Poetics

“风流”是古代朝鲜半岛传统文化中一个被赋予某种原型意味的核心范畴,也是朝鲜古代文人进行诗学思考的主要审美范型,亦是朝鲜古代诗学批评中出现频率最高的一个术语。“风流”的内核则是融汇中国传统的儒道释之精神特质构筑而成的,所以,“风流”是中国传统诗学传入古代朝鲜半岛后,与古代朝鲜半岛本土文化相融合后形成新质的一种增值效应。因此,朝鲜古代文人在诗学实践中言说“风流”的同时,亦是对中国传统诗学精神的一种创造性阐释。随着“风流”诗学在古代朝鲜半岛的广泛流播,中国传统诗学也成功地融入了古代朝鲜半岛的文化土壤之中并落地生根。因此,朝鲜古代文人笔下的“风流”是中国传统文化“走出去”的成功实践。

"Fengliu"(a kind of romance)is a core category endowed with a certain archetypal meaning in the traditional culture of the ancient Korean peninsula.It is also a major aesthetic paradigm of the ancient Korean scholars in poetic thinking,as well as a term that appears most frequently in the ancient Korean poetic criticism.The core of"Fengliu"is built by integrating the spiritual characteristics of traditional Chinese Confucianism,Taoism and Buddhism.Therefore,"Fengliu"is an added value effect of the new element integrating with the native culture of the ancient Korean peninsula after the introduction of traditional Chinese poetics.Hence,when the ancient Korean scholars talked about"Fengliu"in poetic practice,it was also a creative interpretation of the spirit of traditional Chinese poetics.As the romantic poetics in the ancient Korean peninsula spread widely,Chinese traditional poetics also successfully integrated into the cultural soil of the ancient Korean peninsula and struck roots.Therefore,"Fengliu"written by ancient Korean scholars is a successful practice of"going out"of traditional Chinese culture.