20世纪20年代乡土小说病苦叙事及其审美性

The Narrative and Its Aesthetics of Rural Novels in the 1920s

自从鲁迅开创了乡土小说后,王鲁彦、许杰、许钦文、蹇先艾、台静农、彭家煌等作家延续了鲁迅的乡土书写,共同支撑着20世纪20年代的乡土文学。他们身上有着不可磨灭的"土气息泥滋味"印记,在现代文明与西方文化的冲击下,带着"怒其不争,哀其不幸"的情感,叙写着故乡人的苦难生活和病态思想。乡土小说中展现的苦难生活是表象,作者真正的意图是指向病态的精神层面,揭示小人物的悲剧命运。

Since Lu Xun created a local novel, the writers of the 1920 s continued and developed Lu Xun’s native writing,jointly supporting the local literature of the 1920 s, such as Wang Luyan, Xu Jie, Xu Qinwen, Qian Xianai, Tai Jingnong and Peng Jiahuan etc. These authors have an indelible mark of "resture taste". Under the impact of modern civilization and Western culture, they’re sympathetic with sufferings and infuriated at indifference to describe the miserable life and morbid thoughts of their hometown people. The author actually aims to describe the pathological inner spirit and reveal the tragic fate of the little man while the suffering life in the local novels is merely the appearance.