摘要
儿童文学对空间的审查历来是严格的,其普遍的空间背景是诸如学校、卧室、后花园等一般意义上的安全之地,不过随着成人儿童观的发展,许多从前被视为童年禁忌的空间也逐渐成为儿童文学的书写对象。汤汤的“鬼童话”系列作品将鬼怪灵异空间引入儿童文学,是站在儿童立场对传统童年禁忌空间的一种突围,此外,其艺术化的处理方式使得这一空间摆脱了可怖性并成为安置儿童的安全之地,也是站在成人立场对童年禁忌空间的一种防守。
The censor for the space in children ′s literature has always been strict.Its universal space background is a safe place in the general sense such as schools, bedrooms, and back gardens.However, with the development of children′s views from the adult, many of the spaces which had always been regarded as childhood taboos space have gradually become the objects of writing in children′s literature.The ghostly spaces are introduced into children’s literature from the series of “ghost fairy tales” by Tang tang.It is a kind of breakout from the child’s standpoint to the traditional childhood taboo space.In addition, its artistic treatment makes the spaces get rid of the horror and to be the safe places for children, and it is also the defense against the childhood taboo space in the adult position.
作者
贾珊
JIA Shan(College of Liberal Arts,LanZhou University,Lanzhou,Gansu,China 730000)
出处
《昆明学院学报》
2019年第5期11-14,21,共5页
Journal of Kunming University
关键词
汤汤
鬼童话
童年禁忌空间
空间界线
突围与防守
Tang tang
ghost fairy tale
childhood taboospace
space boundary
breakout and defense