阿来《尘埃落定》的声音叙事

Study on Sound Narration in Red Poppies By A Lai

《尘埃落定》是一个典型的声音文本。小说以画眉声开篇,起到了“先声夺人”的艺术效果。从发生学角度而言,声音的先行出场还有建构文本世界、客观存在、主体自我的本源性意义。麦其土地上的声音景观体现出和谐的一面,同时也体现出与权力之间的互文性关系。声音的变化既表征着麦其土地的历史和文化在发生根本性的变化,也参与到这一变化过程中。因此,重听文学作品中的声音,探究其如何参与文本叙事和历史叙事,有着人类文化和文学研究自我纠偏的重要意义。

As a typical sound text,Red Poppies begins with a thrush,which plays a role in head start.From the original meaning,the first appearance of sound also has the intrinsic significance of constructing the textual world,objective existence and subjective self.The Soundscape on Machie’s land reflects the harmonious side,but also reflects the intertextual relationship with power.The change of sound not only represents the fundamental change of the history and culture of Machie’s land,but also participates in the process of this change.Therefore,it is of great significance for human cultural and literary studies to listen to the voices in literary works and explore how they participate in text narration and historical narration.