庐山净土思想与六朝诗创作观探析——以咏物诗为例

Lushan Pure Land Thought and Six Dynasties Poetry Creation View——Taking Object-Chanting Poetry as an Example

庐山净土思想对六朝诗歌创作观念有独特影响,是研究佛教与诗学关系的重要部分,而学界研究尚不充分。净土像化思想、简易的修行法门、生死轮回观对六朝咏物诗"重象"创作观、省净的文风、与意象的哲理意味都存在一定的影响。普遍信仰净土思想的六朝诗人受异域宗教震撼之余,其审美情趣和创作实践都在一定程度上被弥陀净土思想悄然重塑。

Lushan Pure Land Thought has a unique influence on the concept of poetry creation in the Six Dynasties. It is an important part of the study of the relationship between Buddhism and poetry, but the academic research is still insufficient. The thought of Pure Land Imagery, the simple method of practice and the view of life and death samsara all have certain influence on the creation concept of "images" in chanting poems of the Six Dynasties, the concise style of writing and the philosophical meaning of images. The poets of the Six Dynasties who generally believed in Pure Land thought were shocked by foreign religions, and their aesthetic taste and creative practice were quietly reshaped to a certain extent by Mituo’s Pure Land thought.