摘要
中国诗学作为中国古代文学的一门分支,历来是中西方学者们关注和研究的对象,它以诗体文学研究为基础自成体系,主要由诗论、诗评、诗体、诗法和文献研究等视角构成一个有机的不断发展的诗学系统。"言不尽意"便是贯穿其发展历程的独特精神,上至老庄、孔孟之经典,下至现代自由体新诗,皆有迹可循。不仅如此,在20世纪美国文学的诗学创作理念和读者体验观中也有中国"言不尽意"诗学精神影响的痕迹,从意象派到"冰山理论"再到"寒山诗误读",都突显出中国传统诗学的现代性精神文化价值及其在美国现当代文学思想中的广泛影响。
As a branch of ancient Chinese literature, Chinese poetics has always been the focus of study by Chinese and Western scholars. Consisting of the study of its theories, reviews, genres, devices and literature of poetry,Chinese poetics has developed into an organic system based on the prosody study."Words cannot convey all its meaning"is the unique spirit that runs through the course of its development. From the classics of Confucianism and Taoism to the modern free verse, there are numerous examples to prove it. Besides that, there are also traces of the influence of Chinese poetic spirit on the creation concept and appreciation view of 20 th century American literature. From imagism to"iceberg theory"and to"misreading of Hanshan poetry", all highlight the cultural value of the modernity of Chinese poetics and its extensive influence on contemporary American literature.
作者
马哈力麦
Ma Halimai(College of Foreign Language and Literature, Lanzhou University, Lanzhou Gansu 730000, China)
出处
《天水师范学院学报》
2019年第3期38-43,共6页
Journal of Tianshui Normal University
关键词
中国诗学
言不尽意
文化精神
冰山理论
Chinese poetics
"Words cannot convey all its meaning"
cultural spirit
iceberg theory