摘要
民俗是民族文化的重要组成部分,元代的草原民俗诗歌彰显了诗人对草原的地域想象和对游牧文化的认同。随着元人正统观念的演进,草原民俗诗创作群体逐步壮大,形成了全元社会创作草原民俗诗的风气。无论是数量上,还是在反映民俗的范围上,元代草原民俗诗都远远超过了前代。元代草原民俗诗的写作方式和叙事态度也发生了变化,说明元代将多个不同民族的文化包容在国境之内,而多元文化经过拒斥、撞击,逐渐走向融合。身居其中的各族诗人心胸也变得更加开阔,极富包容性,能够用比较平等的眼光看待异质文化。
Folk custom is an important part of national culture,the folk poetry of grassland in Yuan Dynasty shows the poet’s regional desire and cultural identity to the grassland. With the progress of the orthodox ideas in Yuan Dynasty, the writing group of grassland folk poetry gradually expanded, which can be said that the whole society was in the mood to write such poems. No matter in the number of poems, or in the scope of reflecting folk custom events, it was far beyond the previous generations, the grassland folk custom was fully displayed in Yuan poetry. The writing style and narrative attitude of grassland folk poetry in the Yuan Dynasty also changed, it shows that the Yuan Dynasty included the cultures of many different ethnic groups together, after the collision, the multicultural culture was gradually integrated. The poets of all nationalities had become very tolerant and can treat different cultures with equal eyes.
作者
赵延花
ZHAO Yan-hua(School of Literature and Journalism, Inner Mongolia University, Hohhot 010021 , China)
出处
《内蒙古大学学报(哲学社会科学版)》
2019年第5期13-19,共7页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金
国家社科基金重大项目(项目批准号:16ZDA176)
关键词
元代
草原民俗诗
士人心态
Yuan Dynasty
prairie folk poetry
mentality of scholars