飞来峰元代造像探源——以藏传菩萨造像为例

Exploring the Origin of Fei Laifeng Sculptures during Yuan Dynasty:Taking Tibetan Bodhisattva Sculptures as an Example

飞来峰元代造像的粉本来源多有争议。以藏传菩萨造像为例,通过对造型的具体分析,并与西夏统治地区艺术、卫藏后弘初期艺术、"西天梵相"相比较,认为飞来峰元代藏传菩萨造像是在继承卫藏后弘初期艺术基础上,中和了时代风格"西天梵相",又有自身的创造,是"飞来峰样式"的体现。这种融合反映出元统治者与西藏的密切关系、"西天梵相"的流行、本地悠久的佛教造像传统。飞来峰元代造像见证了汉藏交流的历史。

The source of the Fei Laifeng sculptures' s base artwork is controversial. This article takes the Bodhisattva sculptures of Tibetan Buddhism as an example,through the specific analysis of the Bodhisattva's styling,and the art of the Xixia ruling area,the art of the post-history,Compared with the"Western Vatican",it is believed that the Fei Laifeng Yuan Dynasty Tibetan Buddhism sculptures are based on the original art of the post-inheritance of the Tibetans,neutralizing the era style "Xi Tian Fan Xiang",and have their own creations,which are "Feilaifeng". This fusion reflects the close relationship between the Yuan ruler and Tibet,the popularity of the "Xi Tian Fan Xiang",and the long-standing tradition of Buddhist sculptures. Fei Laifeng witnessed the history of exchanges between the Han and Tibetan in the Yuan Dynasty.