卫藏蓝面具阿吉拉姆四大流派的历史源流与艺术特征

On Traits and Original History of Four Major Schools of the Blue Mask of A-che Lhamo in d Bus-gtsang

卫藏是西藏阿吉拉姆戏剧艺术流传最广、戏班最集中的传承地区,这些戏班主要以蓝面具派系居多。阿吉拉姆戏剧在艺术实践过程中,由于历史文化语境的不同,造就了蓝面具戏班风格各异的艺术流派、保留剧目及其传播区域等特色,从而形成了影响整个藏文化区域的蓝面具四大流派传承体系。在当代非物质文化遗产保护语境下,探讨如何进一步发展传承阿吉拉姆戏剧艺术,是非常必要的。

dBus-gtsang is regarded as an area in where wide spreading of the Tibtan A-che Lhamo and concentrate inheriting theatrical tropes which the schools of the blue mask are dominant. In different way of A-che Lhamo practice,the context of the culture history created schools of theatrical tropes and retained the play with spreading a regional trait. The influence of the entire of region for the Tibetan culture,the blue mask with four schools has been inherently and systematically formed. context of intangible cultural heritage,the development of the inheritance of A-che Lhamo is proposed with current opportunity faced and culture fact.