摘要
金农是"扬州八怪"的重要代表人物,撰写了大量诗文、题记和随笔,其中包含独到的美学见解。关于书法,金农认为书法作品本身不能直接形成意境,但它的特定形态营构("姿趣")可以引发一种通向无限自然之境的想象,也就是说,书法的意境美感是通过联想而生成的。金农主要通过对竹题材的描绘实现"自赏",其"自赏"理论是对文人画理论的发展。金农关于绘画能够表现自然景物所唤起的听觉、触觉和嗅觉的论述是对宋元诗画理论的重要突破。
JIN Nong is an important representative of the "Eight Monsters of Yangzhou".He has written a large number of poems,inscriptions and essays,including unique aesthetic insights.Regarding calligraphy,JIN Nong believes that calligraphy works cannot directly form artistic conception,but its specific form of construction ("character") can lead to an imagination that leads to an infinite natural environment.That is to say,the artistic conception of calligraphy is generated by association.JIN Nong mainly realizes "self-reward" through the depiction of the "bamboo" theme,and its "self-reward" theory is a new development of the theory of literati painting.JIN Nong's exposition of paintings that can express the senses of hearing,touch and smell evoked by natural scenery is an important breakthrough in the theory of Song and Yuan poetry and painting.
出处
《阅江学刊》
2019年第5期101-106,123,共7页
Yuejiang Academic Journal
