非遗舞蹈论(上)

On Intangible Cultural Heritage Dance (Part One)

非遗舞蹈是对舞蹈进行有目的的“选择”的结果,是一种人类约定俗成的公约行为,但当它一旦存在,就带有了自身的规律和特性——非遗舞蹈的非遗性以及由舞蹈自身特征和历史原因“造成”的非遗舞蹈间性——舞蹈的非遗间性。如果说,非遗舞蹈的传统性、代表性和急需性的一般特性,与动态性、功用性和仪式性的个别(特殊)特性,构成了非遗舞蹈的基本矛盾。那么,舞蹈的非遗间性,就是舞蹈“存在”社会中的特性,即构成人类舞蹈行为的一切内部与外部因素互动关系的特性。舞蹈的非遗间性的三大基本原则是主客同体性原则、人场同在性原则和舞用一体性原则。非遗舞蹈的提出和“选择”,并非仅是为了舞蹈的保护和延续,其最终目的是为了“再创造”舞蹈的丰富性和多样性,这是非遗舞蹈提出和存在的终极意义。

Intangible cultural heritage dance is a result of the intentional "selection",as well as a conventional behaviour of humankind. As long as it exists,it has its own principles and characteristics,the interness of intangible cultural heritage of dance,which is comprised of the interness of intangible cultural heritage of intangible cultural heritage dance and the characteristics and historical reasons that "caused"the interness of intangible cultural heritage dance. The basic contradiction of intangible cultural heritage dance is comprised of the ordinary quality of the tradition,representation and necessity,as well as the unique quality of the dynamism,function and rituality,of intangible cultural heritage dance. Therefore,the interness of intangible cultural heritage of dance is the characteristics that "exist"in society and it constitutes the characteristics of all inner and outside interactive relationships of human dance behaviours. The three basic principles of the interness of intangible cultural heritage of dance are: principle of consubstantiality of subjectivity and objectivity,principle of co-existence of people and field,and principle of integration of dance and function. The proposition and"selection"of intangible cultural heritage dance are not only for the protection and continuity of dance,but also for"re-creation"of the richness and diversity of dance,which is the ultimate meaning of the proposition and existence of intangible cultural heritage dance.