华语电影中的生态文化景观建构

The Construction of the Ecological Cultural Landscape in Chinese Films

华语电影中的生态文化景观承载着社会意识形态的特殊内涵,表征着世界范围内生态文明建设的“中国经验”。其生态文化形象和景观呈现反映出我国社会文化和环境意识的不断变迁。华语电影中,形成了“破坏—灾难”“创伤—逃离”“寻找—回归”“人类中心—生态中心”等四种“中国故事”的主要生态叙事模式,映射着我国生态文化发展的独立意识及多元传播态势,也彰显着新时期人与自然、社会及精神生态之间关系的再调整。未来华语电影的生态传播伦理应进行从物质传播伦理到精神传播伦理、从人类中心伦理到生命中心伦理、从区域环境伦理到全球生态伦理的转向。

The ecological cultural landscape of Chinese films conveys special connotation of social ideology and represents "Chinese experience” in ecological cultural construction in the word. The ecological cultural image and landscape display the ongoing change of Chinese social culture and environmental awareness. Four main ecological narrative modes of "Chinese stories" are formed, namely “destruction - disaster”,"trauma - escape”,"seeking - returning”, and " human - centered - ecology - centered”. These four modes reflect the independent awareness and diverse dissemination of Chinese ecological cultural development and it also manifests the adjustment of the relationship between human and nature, society and spiritual ecology. The ecological communication ethics of Chinese films in the future should turn from tangible communication ethics to spiritual communication ethics, from human - centered ethics to life - centered ethics, and from regional environmental ethics to global ecological ethics.