摘要
蜡染是湘西民间文化的重要组成部分,当地的苗族蜡染纹样更是丰富多彩、富有寓意,非常具有研究价值。因湘西土家族苗族自治州地处湘、鄂、黔、渝四省市交界处,各个民族的文化经济相互交融,所以湘西地区的蜡染文化会受到邻近地区文化的影响,但各民族的历史和审美差异使得它们形成了各自不同的风格。以田野调查材料为基础,对湘西土家族苗族自治州的传统蜡染进行探究,分析总结了湘西苗族传统蜡染纹样的艺术特征,可以为后续的拓展深入提供相应的理论参考及依据。
Batik is an important part of the folk culture in western hunan,and the miao nationality's batik patterns are rich in color and meaning,which is of great research value.As the tujia and miao autonomous prefecture is located at the junction of hunan,hubei,guizhou and chongqing provinces,the culture and economy of each ethnic group blend with each other,so the batik culture will be influenced by the culture of neighboring regions,but the history and aesthetic differences of each ethnic group make them form their own different styles.Based on field investigation materials,this paper probes into the traditional batik of tujia and miao autonomous prefecture in western hunan,analyzes and summarizes the artistic characteristics of the traditional batik patterns of miao nationality,and can provide corresponding theoretical references and basis for the subsequent expansion.
出处
《工业设计》
2019年第10期118-119,共2页
Industrial Design
关键词
湘西苗族
蜡染
纹样
艺术特征
Xiangxi Miao nationality
Wax dyeing
Grain appearance
Artistic features