摘要
影片《寻梦环游记》采用明暗双线并行的双层结构,明线是米格追求梦想遭遇亲情的障碍,暗线则在揭示障碍的原因即亲情创伤中排除障碍。影片的精妙之处在于通过时空旅行的创伤叙事将现实领域与创伤领域转为现实世界与亡灵世界,将一个难以展现的创伤领域以生动形象的方式展现出来,从而扫除梦想路上的障碍,实现梦想与受创亲情的和解。
A double-decker structure is employed in the film Coco , the superficial being the affectional obstacle Miguel met in pursuing dream and the deeper being removing obstacle by revealing the root of the obstacle. The subtlety of this film lies in the creators turned reality and trauma into a present world and a world of the dead through trauma narrative of time travel, which makes an unspeakable trauma vivid and speakable, so that the obstacle on the way to dream was removed and the reconciliation between the dream and the traumatic affection was achieved.
作者
苏锑平
SU Tiping(Australian Studies Center,Xi’an International Studies University,Xi’an 710128,China;School of English Studies,Xi’an International Studies University,Xi’an 710128,China)
出处
《安徽理工大学学报(社会科学版)》
2019年第5期58-61,共4页
Journal of Anhui University of Science and Technology:Social Science
基金
教育部人文社会科学规划青年基金项目(19YJC752026)
陕西省教育厅哲学社会科学重点研究基地项目(17JZ061)
关键词
梦想
亲情
时空旅行
创伤治疗
Dream
Affection
Time travel
Trauma therapy