5See Hector MacQueen, Copyright Law and the Dead Sea Scrolls: A British Perspective, in ON SCROLLS, ARTEFACTS AND INTELLECTUAL PROPERTY (eds. by Timothy H Lim, Calum M Carmichael& Hector L MacQueen, Sheffield Academic Press, 2001), pp. 99-115.
6See Melville B. Nimmer & David Nimmer, NIMMER ON COPYRIGHT 2.08[C][2].
7Alfred Bell & Co. v. Catalda Fine Arts, Inc., 74 F. Supp. 973, 975 (S.D.N.Y. 1947), affd, 191 F.2d 103 (2d Cir. 1951).
8See Russ Versteeg, Rethinking Originality, 34 Wm. & Mary L. Rev. 801, 850-852 (1993).
9Elizabeth F. Judge & Daniel Gervais, Of Silos and Constellations: Comparing Notions of Originality in Copyright Law, 27 CARDOZO ARTS & ENTERTAINMENT L.J. 375, 404-405 (2009).
10See Hyperion Records v Lionel Sawkins [2005] 3 All ER 636 (CA), at para.49.
