摘要
现代知识者漂泊无依的宿命感 ,促使作家深入传统寻找心灵的憩居地。以余光中和余秋雨的创作为例 ,比较分析二人返归中华文化家园的精神旅程。他们既差异鲜明又殊途同归 ,体现了当代“寻找家园”母题的两种典型倾向 :余光中如“断奶的孩子”呼喊着对华夏故国的“眷恋与皈依” ;余秋雨则以学者的睿智试图开掘中华传统文化精神的深沉内蕴 。
Modern intellectuals feel adrift and lone destiny, which make them get deep into tradition in order to find heart's home. YU Guang zhong and YU Qiu yu, they all go back to homestead of Chinese culture, but the child calling for 'hankering and going back'. YU Qiu yu is a scholar exhuming Chinese traditional culture and thinking of how to change ancient civilization in modern society.
出处
《集美大学学报(哲学社会科学版)》
2002年第3期93-97,共5页
Journal of Jimei University:Philosophy and Social Sciences
关键词
余光中
余秋雨
创作比较
家园文化
YU zhong
YU Qiu yu
writing comparison
homestead culture