康德想象观再探讨

Reprobing into Kant's Conception of Imagination

孕育于主客两分思维模式中的康德想象观 ,不仅确立了审美意识领域中想象的主导地位 ,而且表现出一种对传统形而上学思维本性的超越 ;“图式”成为联结感性与理性的中介力量 ;想象超越有限、飞离在场 ,又落尘实在 。

Kant's conception of imagination is conceived in the subject object dichotomy thinking mode, which reveals the transcending of the traditional metaphysics thinking. The 'schema' becomes the medium power between the perceptual and the rational;Kant's imagination transcends the finite and flies off the present, but goes back to the real, which quests for the real through the infinite absence.