摘要
将帕里—洛德口头诗学理论中的程式论运用于“花儿”研究 ,从莲花山花儿的创作程式类型、对唱程式对歌手创作的影响以及程式规限下歌手的创造性三个方面 ,验证了帕里—洛德口头诗学理论体系的普适性、多相性和开放性。
Oral-formulaic Theory is applied to the study of such short lyric folk songs as Hua'er in this paper. Oral-formulaic Theory system's universality, diversity and openness are proved in the three aspects of Hua'er of Lianhua Mountain: creative formula type, the influence of antiphonal singing formula on singers' creation and singers' creativity in a set formula.
出处
《广西民族学院学报(哲学社会科学版)》
CSSCI
北大核心
2002年第6期59-64,共6页
Journal of Guangxi University For Nationalities(Philosophy and Social Science Edition)