谷崎文学的“美意识”萌芽之初探

Exploration of Rudimentary Stage of Sense of Aestheticism in Tanizaki's Literary Works

谷崎润一郎是日本唯美主义 (又称耽美主义、新浪漫主义 )文学流派的代表作家。纵观其5 0余年的创作生涯 ,可以看出在他漫长的作家历程中 ,虽创作风格并非一成不变 ,但他对于艺术和“美”的追求却可谓不改初衷。谷崎文学所体现出的独特的“美意识” ,在以《文身》为代表的一系列的早期作品中就已经开始萌芽 ,在其之后的创作过程中更是得以一脉相传 ,并一直贯穿于其各个时期的作品之中 ,《春琴抄》这部巅峰之作最终成为谷崎文学的“美意识”之集大成的作品 ,是谷崎文学“美意识”之结晶。

Tanizaki Jun'ichirou is the representative writer in Japanese aestheticism movement. In his more than fifty years of life as a writer, he sticks to his pursuit of art and beauty. Though his writing style has been changing, his special 'sense of aestheticism' showed itself in his early works such as The Tattooer, and the 'sense of aestheticism' is better expressed in his later works at every stage. And it is best expressed in his masterpiece named A Portrait of Shunkin which tops all his works.