摘要
作者通过整理元代画家李士行的传世作品及生平资料,对画家的生平经历有了一个简括的认识,并归纳出画家作品的两种风貌,即古木竹石类继承北方王庭筠和李成、郭熙传统;山水类则师承董源、巨然。李士行于不同题材师法不同大师的现象,一方面是由于元初名家赵孟(兆页)的“提醒品格”,另一方面与其生存环境的艺术传统和造化熏染密不可分。
On the basis of her examination of the handed down works of the Yuan Dynasty painter Li Shixing and biographical materials treating him, the author presents her succinct understanding of the painter' s career. She points out that his works encompass two styles: his paintings of ancient trees, bamboo and rocks inherit the traditions of the northern artists Wang Tingjun and Li Cheng, as well as of Guo Xi; his landscape paintings inherit the traditions of Dong Yuan and Ju Ran. In following different masters in different genres, he was in part following a precedent established by the renowned early Yuan artist Zhao Mengfu, but was also related intimately to the artistic traditions and creativity of the milieu in which he moved.
出处
《故宫博物院院刊》
北大核心
2002年第6期71-83,共13页
Palace Museum Journal
关键词
元代
画家
李士行
绘画史
艺术风格
题材
传世作品
生平经历
艺术传统
李Kan
Li Shixing
Li Kan
Tufiui baojian
Zhao Mengfu
traditions of Wang Tingjun, Li Cheng and Guo Xi, Dong - Ju, Jiangxiang qiuwan tu juan (Scroll painting: Autumn Evening on a Yangtze River Voyage).