摘要
自从国门打开以来 ,中国画就被卷入了东西文化交流和冲突的赛场。画家们被“××主义”、“××思潮”、“××意识”、“××风格”等冲得天昏地暗 ,高呼“中国画往哪里去 ?”在人们对中国传统都不屑一顾的今天 ,应该大声疾呼 :不要忘了中国传统文化 !中国的绘画语言范式“形似”、“神似” ,召唤已经在风雨中飘摇的中国艺术的魂灵重新回归 ,接通传统的血脉 。
Since the chinese open policy,the traditional chinese paintings have been swept into the confusion of eastern and western cultures in which the chinese painters cry out where the chinese art should go after being occupied with hundreds of different doctrines,concepts and styles.Atthe time when the traditional chinese painting is neglected,this essay intends to call out not to forget the soul of the chinese painting,the combination of the likeness and the spirit,so as to euoke and keep it in the traditional way.
出处
《蒙自师范高等专科学校学报》
2002年第5期32-34,共3页
Journal of Mengzi Teachers' College